爱犬情深1

简介：

这是一部多方面揭露秘密太空计划、阴谋集团、外星人来源的一个非常有趣和引人注目的陈述，里面有很多冒死甚至用生命代价取得的证据。                                                                      　　制作和参演人员豁出去了，通过提供尽可能多的信息来揭露阴谋集团。从这个意义上说，这是一部非常勇敢的电影。                                                                      　　这部电影在30号上映以来占据了苹果商店和亚马逊纪录片类榜首。然而却立刻被Fakebook禁止。                                                                      　　由于电影的制作团队在揭露的前线战斗和阵亡（很多之前的爆料人非正常死亡，制作团队有同样的高风险），我们确实需要你的帮助，参与宣传这个惊人的披露计划。                                                                      　　由著名的外星人事件经历者和知情者制作，揭露了许多鲜为人知的内幕。                                                                      　　内容稍微深奥，适合对外星文明研究、灵修、宇宙真相揭露、阴谋论等有基础认知的人观看。这只是首次登上大银幕。

简介：

　　Follows the decade-long odyssey of big-wave pioneer Garrett McNamara who, after visiting a small fishing village in Portugal, helped push the sport beyond the realm of imagination.

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这是一部以上世纪八十年代后朋克时期的伦敦为背景，由访谈、历史影像及动画交织而成的社运纪录片，带领观众回溯一群经常流连地下酒吧及艺术场所的女同们的生活。于当时的乱世中，她们因为艺术、音乐、性、政治参与和一同改变未来的宏愿而相聚；三十多年后，她们希望藉此机会，向我们娓娓道来那段叛逆岁月。

简介：

2014年，首批437具中国志愿军烈士遗骸归国，离开祖国60多年的烈士英灵终于得以回家。71年前，那些花一样年轻的战士走上了抗美援朝战场，有些人回来了，而有些人永远地留在了那片土地上。《1950他们正年轻》用全新的视角聚焦71年前参加抗美援朝的普通年轻人，通过不同军种，不同时期参战的老兵真人讲述，以一句句平实细微的话语呈现出他们曾经热血的青春与梦想，也还原了最真实的战场，给当代的年轻人带来触动内心的震撼与共鸣。最好的铭记是不遗忘，《1950他们正年轻》用镜头记录珍贵的民族记忆，一起致敬那些保家卫国的英雄们。

简介：

聚焦米莎虚构自传体回忆录式小说 《米莎：一部关于大屠杀岁月的回忆录》的来龙去脉。书中讲述二战时期一位7岁的犹太小女孩的苦难经历。迄今为止，该书已被翻译成18种语言，而米莎也靠此书狂赚了至少1000万英镑。                                                                      　　但与她的出版商版权纠纷官司中，出版商败诉后，变身侦探调查出米莎捏造故事，旨在隐藏更黑暗的真相。

简介：

人们相信这些秘密尘封的神圣宝物蕴藏着实现奇迹的力量。走近这些天主教圣物，掀起历史面纱，解开谜团真相。

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《福建一百吃》是由福建省商务厅、福建省广播影视集团卫视中心和腾讯视频联合制作出品的一档大型美食微纪录片。第一季共30集，每集15分钟。节目非常荣幸地邀请到了九位中国美食界极具代表性的权威人士参与拍摄，共同聚焦福建超过200道特色民间美食，进而解密八闽大地上真实流淌的日常饮食生活，串联起了福建县域的独特风貌，塑造了充满温情与生命力的地域美学，福建的真实与美好得以在每一日、每一餐中被重新感知与理解。

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简介：

　　迈克尔·艾普特从1964年开始拍摄纪录片系列的第一部，采访来自英国不同阶层的十四个七岁的小孩子，他们有的来自孤儿院，有的是上层社会的小孩。此后每隔七年，艾普特都会重新采访当年的这些孩子，倾听他们的梦想，畅谈他们的生活。四十九岁知天命，看尽岁月流逝，看穿沧海桑田。本片综合 了被访者七岁、十四岁、二十一岁、二十八岁、三十五岁、四十二岁、四十九岁及五十六岁多年的访问精华。 《人生七年》荣获2006年英国电影学院奖和金卫星奖提名。

简介：

　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

简介：

探险者调查了亚马逊的多样化生态系统和物种,从红树林到粉红海豚和安第斯熊,揭示了保护这一重要淡水资源的紧迫挑战和有希望的解决办法。

简介：

纪录片《曼联92班》讲述了曼联六位才华横溢的足球运动员（大卫·贝克汉姆、尼基·巴特、瑞恩·吉格斯、保罗·斯科尔斯、菲尔·内维尔以及加里·内维尔）成长为世界足坛的风云人物的故事。影片重点放在1992年到1999年，曼联登顶欧冠，伴随着英国的社会文化风云变迁，如史诗般的足球的浮沉兴衰。6个14岁的少年，不同的家庭背景，进入了同一家足球俱乐部，撑起了这支在世界足坛中最受称颂的球队的脊梁，即使功成名就后退役的他们依然还是无可取代的好朋友。影片的独特之处还在于破天荒的获得了近距离了解这6位球星的机会，对他们每个人有了新的和更深层的认识，还得到了关于英国足球文化史上那段特殊时期珍贵的档案资料。此外，影片中还有其它许许多多的引人瞩目的内容包括对齐内丁·齐达内、托尼·布莱尔、石玫瑰乐队（the Stone Roses）的Mani、埃里克、坎通纳以及丹尼·鲍尔的采访。...