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2025,07,27

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深入探讨被谋杀的英国侨民克里斯汀·罗宾逊的虔诚侄女如何帮助诱捕杀害她姑姑的凶手。

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情感的力量高清在线观看 - 风吟视频_文艺治愈影视风吟轻赏免费看,韩剧文艺治愈 + 动漫番剧,美剧文艺片,高清无广告,文艺解析片单推荐
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情感的力量

评分:5.0

更新时间:02月09日

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

简介:

  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

阅读量:4895

年份:1983

情感的力量

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

寻找小津高清在线观看 - 风吟视频_文艺治愈影视风吟轻赏免费看,韩剧文艺治愈 + 动漫番剧,美剧文艺片,高清无广告,文艺解析片单推荐
375
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寻找小津

评分:5.0

更新时间:02月20日

主演:笠智众,沃纳·赫尔佐格,厚田雄春,克里斯·马克

简介:

日本电影导演小津安二郎是国际影坛上备受尊崇的大师,欧美和亚洲的不少导演都表达过受到他的作品启发和影响,德国的维姆·文德斯就是其中之一。1982年文德斯在罗马一次放映会上,选择了小津安二郎的《东京物语》作为对自己电影工作有特别影响力的作品来播放,并触发拍摄这个属于自己版本的“东京物语”的念头。文德斯表示并非本着朝圣的心态“寻找小津”,纵然他相信小津的留世作品最有资格被摆放在电影艺术的殿堂。他之所以推崇小津,是因小津“在掌握了经由美国推展及至全球的电影的语言后,竟能反过来从中调制出一种完全个人的景观;在拍摄某样事物时,能让事物保存原有的身份”。文德斯总结对小津的赏析,在片初把电影的本质界定为“提供一个这个世纪人类的真实和可行的图像,从而让人能够认清自我”。                                                                        寻找小津的片名Tokyo-Ga其意指东京画,是维姆·文德斯对小津致敬之作,他在八十年代中期亲自跑到日本去追寻小津的足迹,以日记手法纪录他对东京这个城市的感觉。此片对照了小津镜头下的东京,以及三十年后的东京,在拍《寻找小津》时,文德斯笔触显得平淡,几乎仿效了小津当年的拍法。

阅读量:2880

年份:1985

寻找小津

主演:笠智众,沃纳·赫尔佐格,厚田雄春,克里斯·马克

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